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Title : Maze Runner: The Scorch Trials
Maze Runner: The Scorch Trials genre : Science Fiction, Action, Thriller
Maze Runner: The Scorch Trials crew : Denise Chamian, Sanja Milkovic Hays, Wyck Godfrey, Dan Zimmerman, Jeff Carson, Ron Bartlett, Daniel T. Dorrance, Marty Bowen, Gyula Pados, Andrew Max Cahn
Maze Runner: The Scorch Trials release date : 23 June 19 0 1
Maze Runner: The Scorch Trials runtime : 131 Minutes
Maze Runner: The Scorch Trials Crew : Denise Chamian, Sanja Milkovic Hays, Wyck Godfrey, Dan Zimmerman, Jeff Carson, Ron Bartlett, Daniel T. Dorrance, Marty Bowen, Gyula Pados, Andrew Max Cahn
Maze Runner: The Scorch Trials cast :
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Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all. Maze Runner: The Scorch Trials 2015 review : It is quite an automatic instinct to compare and contrast the first installment of 2014’s ‘The Maze Runner’ with the arrival of the latest entry in director Wes Ball’s distant dystopian drama ‘Maze Runner: Scorch Trials’. The original blueprint effectively captured a unique time and place of mystique and other morbid curiosities. The audience was craftily introduced to The Glade, a head-scratching venue out in the middle of nowhere while being surrounded by a massive maze that pretty much rendered its survivors in vulnerability and uncertainty. Well, ‘Maze Runner: Scorch Trials’ looks to revisit that same kind of mystifying aura where our young and daring protagonists face the surreal obstacles in a futuristic facility that begs for the same kind of grandiose ambivalence. Sadly, ‘Scorch Trials’ is a derivative follow-up shadow of its former pronounced presentation. This formulaic fantasy fails to provide any distinctive punch or promise to its more competent predecessor.

As a post-apocalyptic Young Adult-oriented narrative ‘Maze Runner: Scorch Trials’ never really invests in its adventurous characterizations that seem to blankly react to the jittery surroundings without any genuine conviction. It certainly is not advisable to saddle a pack of imperiled individuals in a cocoon of dream-like devastation and not have them equally match the imaginative SF sensibilities of their enthralling, enveloped universe. One can speculate as to whether ‘Maze Runner: Scorch Trials’ does any justice to the James Dashner epic-driven YA novels or not. Still, there should be a sense of excitable freshness and intrigue to this eye-opening film project that comes off strangely as remote and mechanical despite the whimsical feel to its wasteland of wonderment.

Sure, some will be partially engaged in the exploits of our young harried heroes bouncing from post to post in a desolate desert known as the Scorch where unpredictable encounters with undesirable creatures and the regional elements are recounted with Ball’s simplistic by-the-dots direction. There will be your predictable share of over-the-top villains, outlandish yet awestruck special effects imagery and a centerpiece for youth-oriented romancing among the ruins. However, ‘Maze Runner: Scorch Trials’ should do a better job in whisking its viewers away in a bells-and-whistles story that should be convincingly subversive and challenging.

Back in the Maze mold madness is Glade stud Thomas (Dylan O’Brien) and his band of fellow wanderers in Theresa (Kaya Scodelario), Minho (Ki Hong Lee), Newt (Thomas Brodie-Sangster), and Frypan (Dexter Darden). The group had learned that their ‘a-MAZE-ing’ (sorry…could not resist) past experiences had been at the devilish hands of the evil paramilitary outfit known as WCKD (as in the pronounced word ‘wicked’). The head honcho of the aforementioned WCKD is none other than diabolical diva Dr. Ava Paige (Patricia Clarkson). So now Thomas and his endangered entourage (along with a few more disposable tag-a-longs) are forced to roam in the treacherous Scorch where the ominous run-ins with the resident beastly zombie Cranks are inevitable.

Of course, there are other factors working against Thomas and his Gladers. First, they must constantly hunt for their safety guaranteed in the arms of the resistance faction called The Right Hand based in mountainous terrain. Secondly, there is also the matter of an outbreak known as the Solar Flare virus that is running amok and the cure is to draw blood from those that are immune. The underhanded Janson (Aiden Gillen, from television’s ‘Game Of Thrones’) heads up the laboratory where the shifty agenda for collecting pure blood from unsuspecting hosts is hatched. So the dilemma is presented as such: should Thomas and his put-upon colleagues be the sacrificial lambs in an experimentation that could benefit the numerous lives of their exposed society?

The problem, among others, is that ‘Maze Runner: Scorch Trials’ never seems to distinguish itself among the crop of other YA-related feature films that seem collectively familiar in theme and tone. The long line of impish and impulsive fare that includes ‘The Hunger Games’ film franchise and ‘Divergent’ movie series has already saturated the movie market to the point of no return. Unfortunately, this leaves little room for error for derivative knock-off films such as ‘Maze Runner: Scorch Trials’ to not only echo the same kind of entertainment value but be considered a few notches off the scale in doing so.

T.S. Nowlin’s screenplay is shockingly synthetic and that is inexcusable for an escapist SF flick using Dashner’s colourful and descriptive tomes as its inspirational source. A few of the interesting supporting characters come and go while registering some servicing interest such as the dashing duo Jorge and Brenda (Giancarlo Esposito and Rosa Salazar) that befriend the Gladers en route to their destination for comfort and calmness. Gillen’s Janson is serviceable as the slimy opportunist blood baiter. Otherwise, the main performers that make up this cosmetic caper bring little to uplift this pseudo calculating landscape of imagined isolation and desperation. Somehow, the charismatic presence of both O’Brien’s Thomas and Scodelario’s Theresa seem watered down from the first film.

For the second time around it is kind of a tough sell for ‘Scorch Trials’ to get the obligatory mouse to chase after the cheese in this particular misplaced maze.

Maze Runner: Scorch Trials (2015)

20th Century Fox

2 hrs. 11 mins.

Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Ki Hong Lee, Patricia Clarkson, Aidan Gillen, Giancarlo Esposito, Rosa Salazar, Lilli Taylor and Barry Pepper

Directed by: Wes Ball

MPAA Rating: PG-13

Genre: Sci-Fi Fantasy/Dystopian Drama/Young Adult Action & Suspense

Critic’s rating: ** stars (out of 4 stars)
> The adventure expands outside the maze to seek the answers.

Another teen movie in the mid series on the line of 'Divergent' and 'Hunger Games'. As an adult, I don't know what to expect from it, but entertainment was the priority. The first film was just an introduction that happened in a small and a single location like the film 'Cube'. Now it has outspread in a large extent with more new characters and takes a wider adventure in the wastelands.

Many doubts from the previous film were cleared, yet a few need to be clarified and hoping for the next one to do that job. But anyway the suspense was this franchise's specialty, that simply reminds us the TV series 'Lost'. This second part can be compared with plenty of other post apocalyptic films, but still I liked it better than the first.

The best thing was they retained the same director and he's going to be here for the next film as well. But I'm more interested in the prequel, I mean the fourth film than the third which brings an end to the story moving forward. Because the maze holds the key for many unresolved issues. So I'm anticipating the prequel trilogy than the current one to learn how it all began.

Surprisingly, many new additions like zombies, bounty hunters in the mainstream boosted the film with its variety. Gives us a creepy atmosphere, along thrilling running and chasing. The twist was not that great, but kind of unpredictable, and again due to the mysteries surrounding it, it created more curious about what might happen next.

6½/10
Let's get to the point. This is bad.

A dystopian future full of conspiracies in which we throw the typical ingredients thinking that, magically, would make a good movie: teenagers, zombies, a "Mad-Max"-like desert and a stupid story in which main characters and their enemies behave stupidly at every step.

Quite a forgettable one ...
I believe the adage is meant to go "Ask me no questions and I tell you no lies". _Scorch Trials_ however seemed to be trialling the new "I pose you 500 questions, I tell you no answers". But there's still some interesting things to find the further the movie goes on. It lacks the cohesion of the first movie, for sure, but there's more going on, so that tracks.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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San Andreas genre : Action, Drama, Thriller
San Andreas crew : Crys Forsyth-Smith, Bruce Berman, Deborah Aquila, Colin Strause, Greg Strause, Bob Ducsay, Charlie Revai, Ellen Heuer, Beau Flynn, Dave Childers
San Andreas release date : 27 July 19 8 5
San Andreas runtime : 114 Minutes
San Andreas Crew : Crys Forsyth-Smith, Bruce Berman, Deborah Aquila, Colin Strause, Greg Strause, Bob Ducsay, Charlie Revai, Ellen Heuer, Beau Flynn, Dave Childers
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In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey across the state in order to rescue his estranged daughter. San Andreas 2015 review : > Film San Andreas nice but to be honest I do not like the plot, why? because in the story of this movie seem monotonous and selfish. Many victims around but why Ray and Emma only focused to rescue his daughter (Blake) alone, but Ray is living as rescuers, the film tends to be lacking in the delivery of its humanitarian message.
Lots of rocks everywhere...

It's CGI destruction time as Dwayne Johnson battles earthquakes and a tsunami to go rescue his daughter - with estranged wife in tow of course.

Disaster films are easy to kick because very rarely they are nothing more than candy carnage with a trite screenplay and cheese laden dialogue. Such is the case with San Andreas. In essence this is a remake of Roland Emmerich's 2012, only this is the shorter version with the time span that 2012 should have had. This does exactly what the marketing department promised it would, namely lots of crash bang and wallop, but just like Emmerich's behemoth it gets boring entering the final third, the writing just not good enough to hold interest once the noise and destruction dies down before the big finale arrives. Suspense is absent, emotional investment in characters is null and void, while there are no worthwhile surprises in store. But on the plus side Johnson is a likable guy and he carries us through till the end of what is a fun movie if expectation levels are appropriately set at dumb popcorn fodder. 6/10
I have never been a fan of the Disaster genre, I don't seem to be able to take much more away from it than visual noise. I was hoping that the combined might of Alexandra Daddario and The Rock would be enough to turn me around on _San Andreas_, alas, it was not to be.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
This is a classical Hollywood movie, thin plot and a lot of effects. However, this time, I quite liked it. Actually I liked it a lot. The plot, although thin, is not altogether bad, it holds together even though are quite a few unbelievable moments. However, put in the context of a traditional disaster movie, it is not bad.. Maybe this is what I like about the movie. It is really a good old fashioned disaster movie.

When I first read the blurb about this movie I was afraid that it was going to be a big apocalypse at the beginning and then it was going to be a “slow” search for Ray’s daughter. It is nothing of the kind. It has a decent build up of suspense up to quite a few more or less spectacular earth quake scenes … and then it continues. I was pretty happy that there was a decent build up from the start but I was even more happy that the initial earth wrecking event was actually not the big event.

As I wrote at the beginning, the plot is pretty thin. The special effects are not however. At least, I liked them. Not surprisingly houses a are falling over like there was no tomorrow (which for a lot of people there are not) but it is done quite well. I also liked the scenes where the earth wobbles when Ray and his wife flies over it in his chopper. I found that quite cool. There are a few moments that are, well let us say not too well thought through. For instance the classical collapsing building that collapses in the just the right pace for the heroes to do there job. The we have when Ray and his wife speeds through the waters of Los Angeles after the quake, which are riddled with trash. The amount of trash in the water would have rendered their propeller useless after a few hundred meters. But then, I think I am too much of an engineer now.

Speaking of Ray’s wife. That was one of the things I really did not like with the movie. Maybe the movie directors and actors in Hollywood are so used to divorcing all the time that they think it is a “standard” plot element and do not think twice about it but for us other “ordinary” people it is a tragedy (especially people outside of the US apparently if one should go by the trash that is spewed out from Hollywood all the time) and I really do not want to watch that crap all the time in movies and TV-shows! I was actually tempted to downgrade the movie at last a star, even two, for that crap but what the heck, it is a good movie and I do like “The Rock”.

So after, after that little outburst, I have to say that I this one was a really enjoyable movie. One of the few lately that I have watched. It is a quite good, classical, disaster movie with a good build up, really good effects and a good and happy ending (for the main characters at last) and I am a sucker for happy endings.
Solid enough, if not overly long, disaster movie. Dwayne Johnson is... well Dwayne Johnson but has more than enough charisma to carry this and never a bad thing having BOTH Carla Gugino and Alexandra Daddario either. Some of the effects were pretty good, others a bit iffy however. Still, I enjoy these disaster movies and while it doesn't measure up to The Poseidon Adventure or The Towering Inferno, but entertaining nonetheless. **3.5/5**

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Title : Hitman: Agent 47
Hitman: Agent 47 genre : Action, Crime, Thriller
Hitman: Agent 47 crew : Denise Chamian, Bina Daigeler, Volkhart Buff, Marco Beltrami, Nicolas De Toth, Charles Gordon, Sebastian T. Krawinkel, Chad Stahelski, David Leitch, Stephan O. Gessler
Hitman: Agent 47 release date : 11 July 19 6 1
Hitman: Agent 47 runtime : 96 Minutes
Hitman: Agent 47 Crew : Denise Chamian, Bina Daigeler, Volkhart Buff, Marco Beltrami, Nicolas De Toth, Charles Gordon, Sebastian T. Krawinkel, Chad Stahelski, David Leitch, Stephan O. Gessler
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An assassin teams up with a woman to help her find her father and uncover the mysteries of her ancestry. Hitman: Agent 47 2015 review : > A complete action pack, with not so popular actors.

This is the second version, or we could say the reboot after the 2007 film did not receive well. This should have been a franchisee with at least 3-4 films by now. It's very clear that something is not working out for it. As for this film, there are several issues. But fairly did at the box office, which is poor for an action film like this. From the director who had never worked on any project before and the writers with good experiences.

The money was well spent, the production quality was so good, then what is the trouble? Well, my first point out is the casting. Preferably someone top star who can pull the crowd into the cinema halls. Perhaps Jason Statham would have been a better choice, after Paul Walter's death who was suppose to play the lead. I'm not denying, but Rupert Friend was very good in the replace. But my point is there's no star value in this project, especially for the foreign markets, these lead stars are the strangers.

The other drawbacks are, this film rated R, which is utterly pointless. Because there are no kisses, no sexy outfits, or drugs consumption, but only violence and gore which are mostly CGI works. Could you believe what the films are turned out to be nowadays. LOL. Though, I enjoyed the action sequences, so I can't thumb down and it does not enough to me to thumb up as well. Decent story with a speedy narration. Definitely an average film. Never seen Singapore better than in this film before. You could watch it for the time-pass and for the stunts, or in a situation when there are no other options available.

6/10
I know, I know, this movie is rather superficial and simple. More effort has been spent on cool action than on depth of the story. Well, you know what? I do not care! I quite liked this movie. Agent 47 is cool and kicks ass. The bad guys gets plenty of ass whooping. The action is good. There is quite a lot of high tech and gadgets. What is there not to like?

The movie starts of with a quite cool sequence introducing Agent 47. I have to say that I got into quite a bit of “wow” mode right a way there. The movie continues with plenty of action sequences with just a wee bit of slowdown in between. Actually the first-half, at least, of the movie is pretty much one long chase.

Perhaps I should point out that I have not played Hitman and do not really know what the original story is about. From a lot of the comments I have read it appears That this might be to my advantage when it comes to enjoying the movie.

Some people are probably complaining about bad acting since Agent 47 do not really show much in terms of facial expressions or emotions. Well, news for you, he is not supposed to! He is supposed to be a cold emotionless killing machine so stop whining. Personally I found Agent 47 to be an excellent character. the re is on scene in particular that I liked where Agent 47 intentionally allows himself to be caught in a embassy. Once inside he, to no one in the audience surprise starts to tear the place apart. You have to see it to know what I mean.

The second part, or perhaps just the last third, of the movie turns into more of a search and destroy for Agent 47 and his new “partner”. this part is of course as action filled as the first part of the movie. Naturally it all leads to a big show down between the Agent 47 & Co. The end itself did not really deliver any surprises but was satisfying.

The one thing in the movie that annoyed me was this subdermal armor stuff. The idea was not a too bad one but they really overplayed it. Come on! Just shoot him in the head or an eye or some other “sensitive” part for Christ sake. Bulletproof my arse!

I honestly do not understand the low rating this movie has received. 5.7 at IMDb is really a bit harsh. Rotten Tomatoes rating is, not very surprisingly, abysmal. Rotten Tomatoes and their “critics” ratings must be the worst of any ratings site. When these dickwads rate down a movie, that’s when I start to get interested. First step is to drill down into the real audience ratings which more often that not gives a different picture.

Any way I digress. Bottom line is that, for me, this is a simple, straightforward, high octane action movie and I quite enjoyed it.

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Ant-Man release date : 10 July 19 8 2
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Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world. Ant-Man 2015 review : I loved it it was so much fun and very funny, another marvel masterpiece
When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologetic and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem.

However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer.

‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter.

Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless.

As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper.
As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper.
The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one.

Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey.

The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment.

‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table.

Ant-Man (2015)

Walt Disney Studios

1 hr. 57 mins.

Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder Fortson

Directed by: Peyton Reed

MPAA Rating: PG-13

Genre: Comic Book Fantasy, Super-heroes, Action and Adventure

Critic’s Rating: *** stars (out of 4 stars)
The Pocket Rocket.

Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a big entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding.

The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10
> Size doesn't matter if he's a superhero who committed to save the world.

My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'Ant-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea.

Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie.

A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all.

It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow.

7.5/10
I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish).

I also felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects.

★★★
I have to say that I did not have great hopes for this movie. However, I found it surprisingly enjoyable. As can be expected from a Marvel super hero movie it is not the most intelligent plot around but instead rather heavy on special effects.

Having said that the plot is not bad given the context. I have never read any of the Ant-Man comics so I had no idea what to expect. The little expectation I had was of some guy turning into some ant like creature smashing things left right and center. So it was somewhat of a surprise to me when I found out that the guy was actually shrinking himself to ant size. Actually I went a bit “what the f…” when I first realized this and felt that this was going to be boring.

However, in the end, I felt it worked out quite well. If it would have just been about some guy shrinking himself then it would indeed have been somewhat boring but the added coolness of this guy being able to command armies of bad-ass ants really helped stave of the boredom.

As I wrote above it is a Marvel super hero movie so it is heavy on special effects and, personally, I felt they where quite okay. There is of course quite a bit of action in the movie as well as a bit of humour. I quite liked the parts where the Ant-Man and his nemesis slugged it out in a children’s room and a giant size Thomas the Tank Engine was thrown through the roof and into the garden. Maybe I liked it because Thomas the Tank Engine is a TV show that my kids liked to watch when they were smaller. There where of course a few of the usual Hollywood silly, brain-dead stunts like the tank scene. It could have been so cool but it was really ruined by the total lack of intelligence in the stunt following the cool revelation.

I really liked Michael Douglas as Dr. Hank Pym as well as Evangeline Lilly as Hope Van Dyne. I was not too impressed by Paul Rudd but on the while I guess he was not too bad. It is a bit of a shame though that when Hollywood feels they need to throw in a bit of family drama they always have to throw in a divorce. It is rather depressing for us that have lived through such a tragedy after all.

Bottom line, this was a surprisingly enjoyable movie. Far better than quite a few of the super hero movies that Marvel/Hollywood have produced like for instance the abysmal Spiderman movies although that is of course a personal opinion.
Less spectacle than most MCU films have been serving up, particularly in phase two, but the story and characterisation is actually a little stronger than the past couple of tales Marvel has served up.

Villain Darren Cross, AKA “Yellowjacket” (originally a hero in the comics) lacks the onscreen presence of top tier Marvel-evil Loki, but is certainly one of the stronger offerings the MCU has given us. His twisted relationship with his former mentor gives another level to this Marvel film not seen since _Winter Soldier_.

Not so much a super hero film as a super heist film, _Ant-Man_ was a welcome refreshment to the comic book movie party, and though I always like to give myself some time to find exactly where MCU films fit in my overall experience, at the moment I would say _Ant-Man_ sits somewhere comfortably in the middle, maybe even a bit below, but is still well worth a watch, even for those who aren’t deeply involved with the film series as a whole.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***Ant-Man?***

Released in 2015, "Ant-Man" stars Paul Rudd as Scott Lang, a cat burglar who is offered redemption and the opportunity to be a hero. Michael Douglas plays his mentor, Hank Pym, and Evangeline Lilly Pym's daughter; meanwhile Corey Stoll co-stars as the heavy.

In my vast arsenal of old comics I have only one issue where Ant-Man is the main star: Marvel Feature #10, which featured Hank Pym as the hero, not to mention his wife, the Wasp, AKA Janet van Dyne. The character's run in that comic ceased with that very issue. By the 80s Scott Lang, a good-intentioned thief, became Ant-Man after stealing Pym's Ant-Man suit to save his daughter. With the encouragement of Pym, Lang became Ant-Man full-time.

The movie is based on these events and I was surprised at how entertaining it is considering how relatively minor the hero is. The movie even makes a joke about this when Ant-Man comes face-to-face with the Falcon (Anthony Mackie). Speaking of which, it's great to see the Falcon in action. It's also great to see Yellowjacket who, in the comics, was Hank Pym after Lang took over as Ant-Man. In the movie Yellowjacket is the villain (Stoll), which is okay since Pym's Yellowjacket in the comics sort of became a villain when he had a mental breakdown and was eventually divorced by Janet, the Wasp. The filmmakers incidentally did an excellent job with the Yellowjacket suit.

"Ant-Man" was a surprise hit at the box office and understandably so. It's a quality superhero flick done with style and brimming with confidence. It's nothing more than this, but that's all it needs to be. It's nice to see Michael Douglas who was, believe-it-or-not, 70 years-old during shooting. He shines in the movie as Pym and could easily pass for ten years younger. I also really liked the Quantum Realm sequence when Lang is reduced to microscopic size.

The film runs 117 minutes and was shot in Georgia and San Francisco, CA. ADDITIONAL CAST: Judy Greer, Bobby Cannavale and Michael Peña.

GRADE: B+/A-
Ant-Man is a much needed breath of fresh air from all the city-breaking, galaxy saving epicness of the past five Marvel movies. It's a nice, light, fun heist movie with some pretty cool effects and a great cast of characters.

Michael Pena, T.I. and David Dastmalchian make this movie so much more enjoyable. Not that Paul Rudd, Evangeline Lilly, Michael Douglas, and Corey Still aren't great, but those three as a sidekick trio crack me up.

Edgar Wright's stamp is all over this movie and it's a shame his directorial touch is missing, because he would have known what to remove to make it even better.

But all in all, Ant-Man is great entertainment with a feel good story about a man trying to be the hero his kid thinks he is.
Much better than anticipated, I actually thoroughly enjoyed 'Ant-Man'. The concept is silly, but I felt it made it work very well.

It starts off as more Paul Rudd-esque than Marvel-esque, especially with the comedy. I wasn't expecting much from it at that point, not that it was necessarily bad or anything but it wasn't what I'd expect from an MCU film. However, positively, it turns into something that fits in this universe.

I enjoyed the action, score and humour. The cast do good things, with Paul Rudd filling the titular role nicely. I also really enjoyed Michael Douglas. Evangeline Lilly and Michael Peña are pluses, too. Corey Stoll, meanwhile, is a little meh I will say - entirely passable, but nothing memorable.

This is a pleasant watch, one I'd recommend.

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Avengers: Age of Ultron the movie showtimes online 2015 hd Avengers: Age of Ultron song, Watch Avengers: Age of Ultron full movie online now.When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.,what are Avengers: Age of Ultron movies in order Avengers: Age of Ultron synopsis full movie Avengers: Age of Ultron 2015 HD Movies, Full Length Movie
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Title : Avengers: Age of Ultron
Avengers: Age of Ultron genre : Action, Adventure, Science Fiction
Avengers: Age of Ultron crew : Danny Elfman, Christopher Boyes, Christopher Boyes, Sarah Halley Finn, Christine Beveridge, Brian Tyler, Stan Lee, Stan Lee, Kevin Feige, Dee Selby
Avengers: Age of Ultron release date : 20 July 19 2 4
Avengers: Age of Ultron runtime : 141 Minutes
Avengers: Age of Ultron Crew : Danny Elfman, Christopher Boyes, Christopher Boyes, Sarah Halley Finn, Christine Beveridge, Brian Tyler, Stan Lee, Stan Lee, Kevin Feige, Dee Selby
Avengers: Age of Ultron cast :
Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, James Spader, Samuel L. Jackson, Don Cheadle, Aaron Taylor-Johnson
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When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Avengers: Age of Ultron 2015 review : There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn't like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Action, good Fx and a "not-completely-absurd" story. The actors perform well and you can identify them very well with their characters ... but it is all old and without imagination.

I suppose nobody was expecting anything else, though ...
This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
**A long form review originally posted in 2015:**

I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_
The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill "bad guy wants to destroy the world for reasons" actioner that we've seen done better many times before.

Don't get me wrong. The movie's fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It's just that at the end of the day, the villain is weak sauce, there's way too much set up for other movies, and if I'm criticizing Man of Steel for having excessive destruction, I can't give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.
Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America's scenes. He does like a hundred different awesome things with his shield, but you don't have time to really take it in because you're already looking at Iron Man blasting 20 Ultron-bots to bits.
This is the movie where Captain America became my favorite Avenger. Sure he doesn't have monstrous abilities like Iron Man and Hulk, but to be holding his own on the same ground as them is just a testament to how great of a hero he truly is.
It has become a well-known fact that coming out with a sequel that's better than, if not on par with, the first one is an insane task. But kudos to Marvel for staying true to their colors with this sequel.
I expected more from Quicksilver. He would've been a great addition to the Avengers.
The thing that puzzles me is that in this film, Vision is presented to be a powerful hero, having the mind stone and all. But on the next films, he's become more of like a side character that just wasn't relevant anymore except for that little piece of stone on his forehead. Shame.
I'm glad to see that they found another role for Hawkeye other than being that one guy who seemed to be trying hard to keep up with the other more powerful heroes on the team. Now he's more of like the thing that keeps the team together and it suits his character well.
Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America's scenes. He does like a hundred different awesome things with his shield, but you don't have time to really take it in because you're already looking at Iron Man blasting 20 Ultron-bots to bits.
Avengers: Age of Ultron
I liked plenty of the stuff in it but it was pretty much the same as the first movie. Still a good watch though if you're not looking for anything serious.
The humor in this movie was not as witty as the first one. It felt too childish and cheesy.
Still good, clean Avengers fun though a bit messier. The first one was still better.
With the vast array of heroes and their own personal character stories, you can expect how much of a challenge it is to bring together all these superheroes and have them work on a single mission on a single timeline. It's not easy, experts.
I confirmed in this movie that what's really making these films successful is the chemistry that the actors have. You can really see that everyone's doing their best.
Strong film from beginning to end. Has just enough humor, angst, and drama to make it a film worthy to be called a sequel.
If you're a fan of action, suspense, and awe worthy moments, then this movie is the right fit for you! Overall outstanding performance by everyone both on and off screen.
Despite the challenge of having to top their first Avengers film, Marvel did beautifully and the result was amazing. I hope to see more films like this in the future.

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Title : Knock Knock
Knock Knock genre : Drama, Thriller, Horror
Knock Knock crew : Keanu Reeves, Sheila Jaffe, Colleen Camp, Eli Roth, Eli Roth, Eli Roth, Cassian Elwes, Larry Spiegel, Sondra Locke, Nicolás López
Knock Knock release date : 19 July 19 0 4
Knock Knock runtime : 99 Minutes
Knock Knock Crew : Keanu Reeves, Sheila Jaffe, Colleen Camp, Eli Roth, Eli Roth, Eli Roth, Cassian Elwes, Larry Spiegel, Sondra Locke, Nicolás López
Knock Knock cast :
Keanu Reeves, Lorenza Izzo, Ana de Armas, Aaron Burns, Colleen Camp, Ignacia Allamand, Antonio Quercia, Dan Baily, Megan Baily
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When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse. Knock Knock 2015 review : > Be cautious of the two slices of the free pizza delivered to your doorstep.

Another flick that sets in an isolated place with the limited cast. A low budget film, which was a remake of the 'Death Game'. After playing a strong character in his previous film, Keanu Reeves is back exactly opposite to that one. Yep, remember what happened to the two men who break-in into his house in 'John Wick', but here it is like what if he's not able to handle them or to do anything about it kind of Circumstance.

He played a normal family guy, a father of two children with a beautiful wife and a big house. The trailer itself revealed half of what the movie's. But the rest of the film is not bad at all, and that does not count as I'm praising it. The movie was average because of the writing was too loose. Not only predictable, but aimlessly moved and the motives were never explained. So the mystery remains mystery.

It was one of those films that leaves behind us to suspect the possibilities. A broad open for a sequel, but likely there's very less chance for another film. The girls were so good looking and performed well. The theme aimed for erotic-crime-thriller, but did it achieved? I don't know, the original was released in the 70s, which might have been too sexy for that time, but in the present world, it is not that special or effective, just like 'I Spit on Your Grave'. You could watch it to enjoy your moment, but it would be a cinematically impressive with the great writings, actings, with twists and turns and all.

5/10
Just say no!

Eli Roth directs and co-writes the screenplay with Nicolás López and Guillermo Amoedo. It stars Keanu Reeves, Lorenza Izzo and Ana de Armas. Music is by Manuel Riveiro and cinematography by Antonio Quercia.

Reeves plays Evan, a devoted husband and father of two, who while he is left home alone, is visited by two young women soaked and apparently lost. Letting them in to his home as an act of kindness, things quickly spiral out of control.

You do wonder if Eli Roth sits at home looking at the reaction to his movie and giggles like a schoolboy. It's invariably a distinctly average film, but it does get a reaction from the audience, something which Roth is gleefully aware of. Pic is actually a remake of Peter S. Traynor's 1977 movie, Death Game, which starred Sondra Locke and Colleeen Camp, both of whom lend their names to production for this release.

At times it feels like we are part of one of Roth's wet dreams, or conversely one of his sick jokes. Yet as the cast struggle to instill acting gravitas (the girls actually become more annoying than frightening), and Roth chooses psychological themes over blood and guts, there's a deft whiff of a moral fable hanging in the air. While also of note is the nods to film noir, both in story and visuals. It isn't enough to save the piece, but it's interesting enough as an aside to the chaos inside the house. 5/10

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Title : Ted 2
Ted 2 genre : Comedy
Ted 2 crew : Sheila Jaffe, Jeff Freeman, Scott Stuber, John Jacobs, Michael Barrett, Cindy Evans, Seth MacFarlane, Seth MacFarlane, Seth MacFarlane, Seth MacFarlane
Ted 2 release date : 4 February 19 0 2
Ted 2 runtime : 115 Minutes
Ted 2 Crew : Sheila Jaffe, Jeff Freeman, Scott Stuber, John Jacobs, Michael Barrett, Cindy Evans, Seth MacFarlane, Seth MacFarlane, Seth MacFarlane, Seth MacFarlane
Ted 2 movie cast :
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Newlywed couple Ted and Tami-Lynn want to have a baby, but in order to qualify to be a parent, Ted will have to prove he's a person in a court of law. Ted 2 2015 review : > The return wasn't as exciting as the previous one.

No surprise why this film failed to excite me, but a few people thinks its a passable sequel. The original movie was atypical, so the success followed it. In my perspective better that should have left as a one-off movie. But as a low budget product, they knew it was going grab back twice, thrice they spent because of the star value and indeed the first film's influence.

There is no story, simply based on the usual Hollywood road adventure like the flicks 'Fanboys', 'Dumb and Dumber To', 'Not Suitable for Children' et cetera, except the character Ted which makes this theme a special. A couple of good jokes and that's it, the rest were ineffective, sometime keep repeating the same ones. The 2 hours in a too plain concept, is way too long to sit and watch/focus.

The cameos were weak, or maybe worthless/meaningless, especially Liam Neeson's. The best things were the production quality, acting and like I mentioned before, the character Ted. For the one time watch, I think kind of manageable, but definitely not suitable for repeat viewing or to recommend it to the others. But overall, a little disappointed with the outcome. They have got one more chance to end this franchise on a high note as a decent trilogy if the next film gets a better storyline.

6/10
Ted 2 packs more unhumorous stuffing within its formulaic synthetic fur. MacFarlane is a talented comedian, I’m sure of it. His profusely crude humour captivating millions with his legendary ‘Family Guy’ TV show. Even ‘Ted’ was tolerable to a certain degree, and that’s saying something. Yet here we are, with an inevitable sequel, that essentially felt like a glorified episode of the aforementioned animation. It’s cutaway structure for unrelated gags. Relentless wave of pointless cameos. Ted becoming Peter Griffin. Close your eyes, let the voices infiltrate your senses and you’ll soon realise it’s just ‘Family Guy’, just less funny. Ted now married and struggling to maintain his relationship, has his rights taken away when he is no longer viewed as person but property instead.

A particularly strong aspect to this comedy that more or less is the power source of its story, raising a civil rights lesson in ethics and morality. It was so *interesting* that Morgan Freeman himself got involved and slam dunked the jury with his God-like soothing voice. And despite Seyfried actually picking up the script’s remnants and transforming the scraps into a functional film, it’s utterly forgettable. So much so, that once Wahlberg becomes drowned in rejected semen samples (literally swimming with the sperm...), I experienced a moment of déjà vu (ironically, so did Ted). Surprisingly, I had seen the first half before. Yet it took me a decent forty minutes to encounter this epiphany, that’s how unmemorable this comedy truly is.

It exercises all of the same plot points from its predecessor, the inclusion of the mentally unhinged Donny and the friendly break-up between the leads cement this sentiment, and rarely explored new avenues. Sure the friendly chemistry remained intact, but only one or two lines made me frustratingly chuckle, mostly due to Warburton’s comedic execution (urgh, that voice...). Besides that, there’s nothing here. Same old MacFarlane profanity. Worth a squeeze if you enjoyed the first film, but exhausts its preset lines of dialogue extremely rapidly. “I love you”? Eh, please don’t.

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Title : Mad Max: Fury Road
Mad Max: Fury Road genre : Action, Adventure, Science Fiction
Mad Max: Fury Road crew : Iain Smith, Mark A. Mangini, Ronna Kress, Bruce Berman, John Seale, Dean Semler, Charlie Revai, Scott Hecker, Jenny Beavan, George Miller
Mad Max: Fury Road release date : 7 November 19 4 8
Mad Max: Fury Road runtime : 121 Minutes
Mad Max: Fury Road Crew : Iain Smith, Mark A. Mangini, Ronna Kress, Bruce Berman, John Seale, Dean Semler, Charlie Revai, Scott Hecker, Jenny Beavan, George Miller
Mad Max: Fury Road cast :
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An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order. Mad Max: Fury Road 2015 review : Fabulous action movie. Lots of interesting characters. They don't make many movies like this. The whole movie from start to finish was entertaining I'm looking forward to seeing it again. I definitely recommend seeing it.
Good action movie with a decent script for the genre. The photography is really good too but, in the end, it is quite repeating itself from beginning to end and the stormy OST is exhausting.
Awesome movie! WITNESS ME will stick with me forever!
Fantastic action that makes up for some plot holes.
Wonderful action movie. Scenes are unimaginable. Lots of graphics used in this movie. This is totally a very good action movie.
I was never a fan of the original Mad Max films but this one just blew me away. There was something so powerfully visceral about this on the big screen. It was a fun on assault on the sense , in a good way. Its spectacle rather than plot driven so may not fare as well on the smaller screen. Watch on the largest possible tv in a darkened room with the phone and other gadgets off. Crank up the volume.
I would say that this movie is pretty much the kind of movie that I expected it to be. That being said I think it was a bit softer than I hoped it to be. I think that, again, the Hollywood plonkers have opted to make a movie that got a more palate rating (to them and their cash registers) than what it should have been. It is not as obvious as with Robocop and a few other movies but the feeling is there.

It is still a fairly entertaining movie. It is of course yet another special effects movie and as such it does not disappoint. It differs from a lot of the usual special effects movies in that the effects are pretty down to Earth in a bizarre way. We are not talking about superheroes or near magical technologies here but instead we have a devastated landscape, scrounged together equipment and a totally ludicrous desire to blow up the last remains of human civilisation. The bizarre vehicle designs and the totally ridicules behaviour of a lot of people in this movie is alone worth watching it to be honest.

As with the previous Mad Max movies this one stretches the bounds of reality (I hope) when it comes to human behaviour and how they waste the few precious resources, specifically gasoline and bullets, that remains after the apocalypse. It provides some spectacular scenery but it also puts a bit of “what the f…” feeling to it all. Not that this part is not expected from a Mad Max movie though.

What I think was my largest let-down in the movie was the Mad Max character itself. To me he is supposed to be a real bad-ass. In this movie he was not really that impressive. He certainly was far from the original Mad Max character in my opinion and was really overshadowed by the Furiosa character. I could have lived with that if this character would have been really impressive but she was not. She was cool but she was still underwhelming when comparing to anything in the original bad-ass Mad Max universe. I would say that Tina Turner and Mel Gibson still rules!

Still it is a decent futuristic, apocalyptic action movie, maybe not living up to this old movie geeks expectations, but not at all a wasted movie evening. The sound track of the Blu-ray certainly gave my subwoofer an exercise as well.
**The following is a long form review that I originally wrote in 2015.**

I’ll keep this’n somewhat brief, because I only saw the movie once and it was a few days ago now. Some time later on though, I will post a spoiler talk that goes into greater depth. For now though, enjoy this spoiler free review of _Mad Max: Fury Road_!

The number one complaint I’ve been seeing about _Fury Road_ is that there’s not much of a story. I would respond by saying, there might not be as much story as you could **want**, but there is certainly as much as you could **need**. The plot isn’t deep, or complex, or intricate, or philosophical. but it’s there, and it makes sense. Just last year, _John Wick_ showed us that you can get away with a pretty thin premise, if you work hard enough on building a thick, palpable world. And the world of _Fury Road_ is something else entirely, I can see why people aren’t blown away by the story, but the world is incredible.

There has been much discussion as to whether Max himself, or his cohort Furiosa (played by Charlize Theron) is the star of the film. I would argue that neither of them are. Director George Miller is. This is his vision. Warner Brothers took a big risk when they handed a 70 year old man nearly two hundred million dollars to revitalise his franchise which has been dead for 30 years, then get out of the way and let him do his thing. But it paid off. _Fury Road_ is more of an “experience” than most movies are, it just happens to be a great film, too.

The stunt work and visual effects deserve praise all to themselves. According to the filmmakers, roughly ten percent of all the effects were done with CGI. The other NINETY are practical, and it oozes with that spectacle. You really can feel the maximum force of the future sitting in that theatre, which is a rare and unexpected pleasure.

It’s my highest rated film of 2015 thus far, in fact, it’s one of only five films I’ve given more than 4 stars in the past five years. So please don’t take the recommendation lightly when I ask you all to go out and support this movie. Just make sure you do it in the biggest, best quality cinema you can, because this latest entry to the _Mad Max_ franchise is worth it.

91%

-_Gimly_
1 Star, solely for the fleeting Presence of the Interceptor. As for the rest, Nothing to do with Mad Max, just a cross country jaunt of constant silly action.
As a Fan of the Original, Mel Gibson is Mad Max, an there will be no other. I have no idea what was going through anyones mind when they tried to tie this to the Mad Max Franchise, Probably not much. If the movie had just been called Fury Road, left Mad Max out of it, It may have been an interesting movie in its owb right, but I think it would have been laughed at and relegated to the $1.99 bin at your local service station.
When I saw the reviews for this movie my first thought was "Every critic has lost their minds... even me."

The story is about a post-apocalyptic wasteland - the fight for survival has twisted the remnants of mankind, turning most into mad, vicious gangs. In this chaotic world two rebels may be able to restore order while seeking their own forms of redemption: Max, a man who just wants peace after losing his wife and child and Furiosa - who thinks finding her childhood home is the answer.

What a lovely day to be talking about Mad Max: Fury Road, because the trailers and the reviews for this movie have been off the walls mad. I mean five out of five star's! wow, just wow. The last Mad Max film came out in 1985, so it's a been a long time and so was this movie, as development took a long time. So I was curious and a bit shady for this movie, by seeing if George Miller (The director of the original films) was going to bring to the table. Now after seeing the movie and having a long thought about it, this movie is freaking awesome, no actually this is the best action movie of the year and probably the decade.

George Miller goes back to his roots and he doesn't disappointment. After all these years later he's still got it. He filmed all the action scenes with care and effort, because most of the action in this movie are mostly practical effects and that right there shows that Miller is going back to old school of action, and it's perfect. You are the man Miller!

The movie itself is mad and I do mean freaking insane. There's a guy in this movie who plays a flamethrower electric guitar on top of a speed vehicle and all through out the movie he was rocking it out. I don't know why, but little things like that made this movie so mad that it's enjoyable.

Tom Hardy as Max Rockatansky was good, I mean he wasn't as good as Mel Gibson but I still think he did a great job. Most of the time Max doesn't talk all that much, I mean most of he's lines are "huh", or "Water", but he has a couple of lines in the movie and it sounded epic all the time.

Charlize Theron (as Furiosa) is basically the main character and Max is the supporting character. Charlize Theron was like a female version of Max in a way, because her character steels the whole show as her character is a strong female bad-ass that kicks so much ass that it's very rare in action movies today to do that. Now think of all the strong female character's in past action movies, well that's Furiosa right here.

The action scenes can be best describe as incredible and freaking crazy. The stunt work used during the movie was f**king amazing. There actually used practical effects mixed with CGI during the action scenes which looked so good and much better than over using effect's to make something look incredible and I know they used some CGI for scenes where it needed it, because it would be too dangerous or impossible to do, but for the most part it's all practical effect's. NOW THIS IS HOW ACTION MOVIES SHOULD BE DONE! THANK YOU MAD MAX: FURY ROAD FOR DOING THIS!!! Okay, I had to get that out there and sorry for shouting.

Immortan Joe (played by Hugh Keays- Byrne), and yes he was in the first Mad Max movie, but here he plays a different villain this time and a menacing one as well. He was like a mix of Dark Vader and Sweet Tooth from Twisted Metal (Video Game). He was awesome villain that didn't take sh*t from anyone and always looked like he was going to cause a whole lot of trouble every time he's on screen.

The cinematography was just beautiful and some of the best looking shoots so far this year. I can't believe I'm saying that for a action movie that's been in development for years and it payed off perfectly. This is very rare for this to happen as a lot of movie franchises that have been in the making for years and years would normally come out to late where every body just lost interest and give up waiting, and the movie itself would turn out not so good, but here is much different. This movie broke new grounds of coming out late but still being a amazing thrill ride.

The other women in the movie know as the five wives are not just there to look pretty and be saved by any man, no they kicked ass in the movie and they actually did something. The five wives were strong women and this isn't just a mans movie, I mean most of the movie is the women kicking ass and being awesome. They kick more ass then Max ever did. That's why I got to give this movie praise for that.

Now for the problems: I tried to look for things that didn't quite work for the movie and to be honest I couldn't find anything that I thought wasn't good. Well there was some slow parts in the movie but the slow parts where the action clams down for now it fills it's time with character development and back story and it worked.

Overall rating: Forget "Pitch Perfect 2", this is the movie you should see at cinema. As a movie reviewer myself who wants action movies to be more then turn your brain off and enjoy whatever slob mess there in front of the screen, but what I want is a movie experience that I can look back on and say "Now that, was one heck of a movie."
George Miller brings us the fourth Mad Max film - Ultimate Carmageddon!

An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. Within this world exist two rebels on the run who just might be able to restore order.

George Miller directs and co-writes the screenplay with Brendan McCarthy and Nick Lathouris. It stars Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Zoë Kravitz, Josh Helman and Nathan Jones. Music is by Tom Holkenborg and cinematography by John Seale.

Well it was a long time in the making, but finally a fourth Mad Max movie was made and it proves to be worth the wait. Undeniably light on plot, this essentially is a two hour chase movie played out to an apocalyptic backdrop of green skies, scorched orange and red vistas and the sort of storms that usually only come in nightmares.

Hundreds of crazily designed vehicles do untold damage to each other and to the barely human contingent - both goodies and baddies, the weaponary on show is vast and brutal, while the stunt work is breath taking. There's some narative stabs at redemptive force between Furiosa (Theron excellent) and Max (Hardy rightly restrained), but really this about high octane action and it's absolutely thrilling as Miller's camera work rarely sits still and brings all the carnage vividly to life.

A petrol head's love poem in live action form and an action junkie's wet dream, Mad Max is back, and this time there's also a glorious female side-kick of considerable tough substance. 9/10

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