Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Monday, December 27, 2021

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Title : Man of Steel
Man of Steel genre : Action, Adventure, Fantasy, Science Fiction
Man of Steel crew : Hans Zimmer, Charles Roven, Lloyd Phillips, Christopher Nolan, Christopher Nolan, Emma Thomas, Alex McDowell, David S. Goyer, David S. Goyer, Lora Kennedy
Man of Steel release date : 9 July 19 2 4
Man of Steel runtime : 143 Minutes
Man of Steel Crew : Hans Zimmer, Charles Roven, Lloyd Phillips, Christopher Nolan, Christopher Nolan, Emma Thomas, Alex McDowell, David S. Goyer, David S. Goyer, Lora Kennedy
Man of Steel movie cast :
Henry Cavill, Amy Adams, Michael Shannon, Diane Lane, Russell Crowe, Antje Traue, Harry Lennix, Richard Schiff, Christopher Meloni, Kevin Costner
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A young boy learns that he has extraordinary powers and is not of this earth. As a young man, he journeys to discover where he came from and what he was sent here to do. But the hero in him must emerge if he is to save the world from annihilation and become the symbol of hope for all mankind. Man of Steel 2013 review : Overall this movie is great! It has flaws but it still delivered. For instance, they didn't really explore the loving side of Superman that is the reason for saving humans. But i get it that this could just be a different interpretation of his motives. The relationship between Clark and Lois was almost spontaneous and didn't really develop. Not to mention there was so much action! Sure this is Superman and he deserves a big movie, but that action is just so mind numbing and distracts from the plot. I really did like how they explored Clarks childhood just enough to give justification to his emotions. Although there are criticism about the ending, I thought it was well made. Clark spent his entire youth listening to his father to control himself and he had to learn to make a tough decision. I think this movie has a lot of potential for a sequel if they do it right. I look forward to being able to look back on this and watch it as part of a trilogy and not a stand alone film.
The cast is well chosen but the Amy Adams as Lois Lane. Not that she performances bad but she is just not Lois Lane.

Smart choosing to focus in Krypton. Probably, the less repeated story told about Superman.

You can really feel Christopher Nolan's touch in the script and, probably, that's the problem. It is just too similar to Batman Begins. Also, the script repeats Batman's stupidities like the way in which Klark Kent father dies or feeling that Crowe, Superman's father, has everything under control, even his own stupid death.

Tons of FX with incredible fights that may feel exhausting for some but that I think are totally justified in this character.

The OST is again in the hands of Hans Zimmer that keeps abusing of the drumming and grave sounds.

All in all, still looking forward for the next movie of this reboot.
I guess I am being stubbornly traditional here but this was not really the Superman that I grow up with. I am sure that a lot of people are not going to agree with me on this one but personally I was not overly thrilled with this movie.

Sure, if what you wanted was a wild action ride and unchecked destruction then this movie will most likely satisfy you. However, as a “Superman” movie it just did not feel right to me.

The original story is tweaked and tinkered with too much. The Kryptonians, not only General Zod and his minions, are portrayed in a quite negative light. Superman himself project a hugely negative aura. Lois Lane gets to meet Superman and learn who he really is before he even starts to work for The Daily Planet. And so on and so forth…

The first part of the movie with the back-flashes, with Kal-El just trying to hide, getting bullied etc. is just sad and even boring. It is not until General Zod arrives that things starts to get going. However even then they continue to tinker with things. Apparently it is now enough to breathe Krypton-like air for him to lose his powers. This is just so wrong. Actually, the entire bla bla when they try to “explain” his powers is just dumb. There is an established story behind Superman. Even though it is fantastic and unscientific just stick to it. It is a fantasy comic character after all. Leave it at that. The story itself is not bad but it is not Superman.

Having said all that, when the fighting starts, the special effects and the action definitely have a high “coolness factor”. Superman and General Zod wrecks more havoc than half a dozen Godzillas with a bad case of hangover. Actually the level of mayhem is bordering on the ridiculous but it was fun to watch. Unfortunately I have to admit that this was my enjoyment of this movie, to watch the special effects.
When I first saw the trailer, I was a little excited.

Man of Steel is the first of many films of what would now be known as DCEU.

Zack Snyder did a really brilliant job directing this movie - it was amazing! Henry Cavill was superb as Superman and Michael Shannon was brilliant as Zod. And a hat tip to Russell Crowe's performance.

The best superhero film in 2013.

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Wednesday, September 15, 2021

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Title : Thor: The Dark World
Thor: The Dark World genre : Action, Adventure, Fantasy
Thor: The Dark World crew : Priscilla John, Wendy Partridge, Sarah Halley Finn, Elizabeth Yianni-Georgiou, Christopher Allen Nelson, Christopher Markus, Stephen McFeely, Brian Tyler, Stan Lee, Kevin Feige
Thor: The Dark World release date : 2 April 19 3 4
Thor: The Dark World runtime : 112 Minutes
Thor: The Dark World Crew : Priscilla John, Wendy Partridge, Sarah Halley Finn, Elizabeth Yianni-Georgiou, Christopher Allen Nelson, Christopher Markus, Stephen McFeely, Brian Tyler, Stan Lee, Kevin Feige
Thor: The Dark World cast :
Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins, Christopher Eccleston, Jaimie Alexander, Zachary Levi, Ray Stevenson, Tadanobu Asano, Idris Elba
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Thor fights to restore order across the cosmos… but an ancient race led by the vengeful Malekith returns to plunge the universe back into darkness. Faced with an enemy that even Odin and Asgard cannot withstand, Thor must embark on his most perilous and personal journey yet, one that will reunite him with Jane Foster and force him to sacrifice everything to save us all. Thor: The Dark World 2013 review : There have been plenty of movies based on classical cartoon superheroes that have been poorly implemented and with a lousy story. Luckily this one is not one of those. This was really a very enjoyable movie and I liked this movie a lot better than the first Thor movie which I felt was mostly silly.

This one has a story which was rather okay and held somewhat together. You have to remember that this is a comic book hero and the story is on that level of course. The special effects and the scenery is really nice as well. The views of Asgard is cool, almost breathtaking.

Anthony Hopkins was excellent as Odin or Oden has he is called in Sweden, my country of birth. Tom Hiddleston is also very good in his role although I have to say that I really do not like his role but then he is supposed to be one of the bad guys so… Chris Hemsworth is good enough in his role but I would say that he is really the weakest ones in terms of acting.

The movie is liberally sprinkled with jokes as well and, thankfully, most of them are not too bad. Although a bit silly I have to say that I did laugh when Thor politely hung Mjölnir on the clothes rack in the apartment with Darcy and Dr. Selvig.

On the whole I enjoyed this movie tremendously.
More of the same. Predecible non elaborated script and with a total lack of sense of humor.

The FX are, again, OK, but the feeling of swords, axes, armors and helmets is of cheap plastic.
Watching Thor: The Dark World tonight, I got the feeling that Hollywood might have finally figured it out. In theory, a sequel should always surpass its predecessor, although as we all know, many have tried and famously failed. But a new trend seems to finally be breaking through. X2 was better than X-Men. Spider-Man 2 was better than the first. And now that I've seen it, I can tell you Thor: The Dark World… is better than Thor. (And the fact that these are all Marvel productions, that's food for anther discussion.)

I thoroughly enjoyed Thor, directed by Kenneth Branagh, when I only saw it for the first time just this spring. In fact, I watched it again the same week. Which is saying enough to imply that my hopes were high for the sequel. So I was really looking forward to tonight and I was not disappointed.

Thor 2 was helmed by a different director, Alan Taylor, which typically always spells trouble in my book when they change the director, but I take my hat off to him. What I admire is that he managed to capture the tone that Branagh set in the first film flawlessly – even perfected it in a way. He brings to the table a duality which almost never works successfully in any film, but here, does so perfectly: Taylor made Thor 2 notably darker, yet at the same time more humorous. I take my hat off to the writers as well – they put in a ton of great jokes, all at the exactly right moment. Had this been done even a fraction less tactfully, the film would have sunk like a bag of bricks, like so many others have. I found myself (and the audience) laughing my butt off one moment, and feeling very serious and engaged with the on-screen emotions the next. Even when it happened abruptly, it still never felt inappropriate. Now that's good entertainment. Two thumbs up.

The actors all wear their roles like a custom-made suit. It's obvious that Chris Hemsworth has really grown into his character, third time around. This guy IS Thor, hands down. The same goes for all the other actors, they were all perfectly comfortable in their roles and respective environments. The one that intrigued me most, however, was Loki – personified absolutely magnificently by Tom Hiddleston. Much like Hemsworth, it seems he was born to play this role. He captures all the slyness, all the arrogance and all the torment of a man almost unable to bear the weight of his own ego in a single flicker in his eyes. And then that grin… Perfection. The way Hiddleston plays Loki is strangely captivating. You know he's totally wicked and cannot be trusted, yet at the same time you can't help but really like him – you might even end up rooting for this guy, and I'm not sure many other actors would have managed this.

All the special effects were as good as one should expect them to be these days. I have nothing much to say there, except that it was all terrifically eye-pleasing, and Asgard looked even more beautiful than before. It was all convincing and very well done.

Still, I have not completely explained why T:TDW is better than the first. Actually, I might not fully be able to. It's mostly a feeling. As much as I was entertained the first time, I was even more entertained now. It was more action-packed, more exciting, darker and it just had a great deal more adrenaline.

The only thing that I think was weaker in this film, was the character of Jane Foster. Her character was just less interesting, kind of blank. I actually don't remember much of her at all, except that she slapped Thor a couple of times and she had all this creepy stuff coming out of her… Also she was somewhat of a damsel-in-distress most of the time with the look of a scared kitten on her face, and that's not exactly how we like to see our ladies nowadays. It's so common to see women being perfectly independent now, that it's a little weird to see a grown woman with "three degrees in physics" (as Darcy so poignantly points out) scared and shivering like a little girl. Most of the time, Natalie Portman just didn't carry her scenes very strongly, and that's strange coming from such a fine actress. So maybe one of the actors was actually a little out of place after all, thinking about it.

Having said that, that's pretty much my only complaint. Every other element in this film was very solid, the story was very good and they absolutely nailed the pacing. Those two hours went by in the blink of a eye.

Thor: The Dark World is wonderfully entertaining and a definite must-see for every Marvel fan. In fact – at the risk of enraging the Marvel Gods – this might just be pretty stiff competition to X-Men… Watch out Wolverine, I think I have a new favorite superhero.
_(November 2013)_
**A long format review from 2013**

Despite a virtually non-existent (comparatively) promotional campaign for Marvel’s latest effort, Thor: The Dark World has crushed its competition box-office-wise. Though receiving less critical acclaim than Captain Phillips or Gravity, it did clean up in the finance department.

I’ve made no secret of the fact that in the MCU, my favourite Avenger is Thor, so a new film was always going to be an easy ticket from me. And I can’t work out if that bias is making me more critical of the film because I care so much, or less because I’m just happy it got made? I’ll try to be as above board as possible.

Thor 2 is a spectacle, make no mistake. It has the appropriate mix of explosions, attractive people, monsters, humour, fighting, mesmerising visuals, sweet symbolism and heart-wrenching sorrow that can be expected from a decent super hero film. But beyond that, it doesn’t really have much.

I know it sounds like it has a lot, and it honestly does, but I just couldn’t help feeling in a quite a number of moments that the thing felt hurried. Maybe if there wasn’t such a mad rush to get a Thor sequel out by the end of 2013, they could have spent a little more time fleshing out and filling in the script (not that it’s a short movie, I mean the pre-production feels rushed) and better utilising director Alan Taylor (Game of Thrones, Rome, Carnivale). There was a hint of the generic, amongst this otherwise splendid film.

73%

-Gimly
Thor: The Dark World represents all of the MCU's worst tendencies: shoehorned humour at the expense of good scenes, a cookie cutter underdeveloped villain, and an over reliance on big outlandish explosions. It doesn't help that the story is also convoluted and lame, made even worse because it introduces the second infinity stone.

All in all, Thor: The Dark World is not a terrible movie. It's just far more cliché than its predecessors, and that's disappointing.
I don't understand all the hate surrounding this movie. I loved every bit of it and somehow, to me, it feels like this was even better than its predecessor. Better CGI, a darker, sci-fi fantasy plot and improved action sequences make it a truly great sequel to the first film.
Action sequences aside, this movie was a great sequel to the first film. So much character development for Thor and I just love how he reunites with the crew from "Thor,” especially with Jane.
One of the first Marvel movies I watched and though I don't know a lot yet about him, I can say that Chris Hemsworth plays Thor quite well.
Not as good as the first one. I had my hopes up the whole time as I was able to enjoy the first one, but I guess it really is true that sequels always do worse than the originals.
Not as Thor-y as the first one but definitely gives Thor some character development which, let's all agree, he needs in order for him to establish better his role as one of the main heroes in The Avengers.
Didn't enjoy it as much as the first one but watched it for the sake of keeping up with the timeline and making sure I wasn't missing any information critical to understanding the next Avengers movie coming out.
Although acting was solid and the production value was still through the roof, I wasn't able to enjoy the movie. Probably because everything else sucked.
What happened to the deep story and intelligence that was portrayed in the first Thor film?
If you're wondering why Thor: The Dark World is a title you're not familiar with, it's because you should just stay away from it.
Boring,a typical plot of everyone else just relying on the main superhero to save the day.
Just stay away from this film. You'd be wasting your time. Mindless, boring plot with lazy writing.
You can clearly see that they got lazy with the writing on this one. Big insult to superhero fans and just Thor in general.
Marvel flopped! Probably their worst film for 2013. It was annoying and everything was just all over the place!
Still not a bad film. I personally enjoyed it more than the first Thor movie, but still not comparable to other Marvel films.
The main villain was not that great but I don't think that destroyed the entire movie. There were still some great scenes and the storyline wasn’t all that bad.

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Saturday, September 4, 2021

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The Hobbit: The Desolation of Smaug the movie 2013 showtimes online uhd The Hobbit: The Desolation of Smaug song, Watch The Hobbit: The Desolation of Smaug full movie online now.The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug.,what are The Hobbit: The Desolation of Smaug movies in order The Hobbit: The Desolation of Smaug synopsis full movie The Hobbit: The Desolation of Smaug 2013 HD Movies, Full Length Movie
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Title : The Hobbit: The Desolation of Smaug
The Hobbit: The Desolation of Smaug genre : Fantasy, Adventure, Action
The Hobbit: The Desolation of Smaug crew : Howard Shore, Christopher Boyes, Peter Jackson, Peter Jackson, Peter Jackson, J.R.R. Tolkien, Fran Walsh, Fran Walsh, Philippa Boyens, Andrew Lesnie
The Hobbit: The Desolation of Smaug release date : 20 October 19 2 7
The Hobbit: The Desolation of Smaug runtime : 161 Minutes
The Hobbit: The Desolation of Smaug Crew : Howard Shore, Christopher Boyes, Peter Jackson, Peter Jackson, Peter Jackson, J.R.R. Tolkien, Fran Walsh, Fran Walsh, Philippa Boyens, Andrew Lesnie
The Hobbit: The Desolation of Smaug cast :
Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Evangeline Lilly, Lee Pace, Luke Evans, Stephen Fry, Ken Stott, James Nesbitt
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The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug. The Hobbit: The Desolation of Smaug 2013 review : The second part amends the fiasco of the first one.

Spectacular and, again, with several moments of the already classic "platform-like" fights on the run from these series of movies that could be enhanced if some sense would be given to them. Still, the staging of every location and, remarkably, Smaug, is worth seeing.
7 out of 10 stars would normally be considered quite okay and I guess you could say that this movie is quite okay. However, it has a reputation to live up to. As a movie in the Tolkien universe and with LOTR and The Hobbit: An Unexpected Journey this movie have a lot to live up to and, as far as I am concerned, it does not.

As an action/adventure/fantasy movie it is a quite okay movie. It has a lot of action of course, a lot of adventure and a lot of special effects. Of course everything plays out with the Tolkien universe as a back-drop. I guess it is rather superfluous to mention that the movie is based on the book The Hobbit by Tolkien. However it is here the problems start.

In my review of The Hobbit: An Unexpected Journey the first thing that I mentioned was that you should be aware of the fact that the movie did not follow the book in any great detail and that this was quite okay since the extensions were well made. Well, it should be no surprise that the first part of this statement is valid for this movie as well. Unfortunately, whereas the first movie felt like a fluid extension of the book this one feels like it is just full of fillers.

There are a lot of cool scenes and a lot of action but it really feels like it was just put in there as fillers to showcase the special effects. Speaking of special effects, quite a few of them where rather unimpressive I have to say. The scenes where the dwarfs went down the rapids in barrels frequently looked plastic and artificial. The scenes with Smaug was not too bad even though he was quite overused but the parts around the forges was just plain ridiculous. I know it is fantasy but come one, getting them started and producing tons and tons of molten gold in a few minutes not to mention riding on molten metal without getting burned was just silly.

On the whole I found it an enjoyable movie but I was expecting more.
Jackson turned a great story into just another Prates of the Caribbean. Jumping, sliding, gags, etc. All the thinking parts are gone.
I'm happy to be back in this world, but _Empire_ this ain't.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Still very good, but I found 'The Hobbit: The Desolation of Smaug' to be a step below the preceding 2012 release.

The conclusion is what affects it the most, in my opinion. It isn't anything bad, but it goes on for too long - yet the ending itself comes out of nowhere a little. It's iffily crafted, with the entertainment value not enough to cover it up. Again, nothing anywhere near terrible... just not as great as I wanted/expected.

I also kinda wanted more scenes with Martin Freeman (Bilbo) across the midway point. I like the focus on Richard Armitage (Thorin) & Co. but I felt there needed to be more with the lead - and with Ian McKellen (Gandalf), for that matter.

I've led with my negatives first, but I have many positives too. I enjoyed the scenes in Esgaroth with Luke Evans (Bard), all of the stuff there looks awesome. The character of Tauriel, played by Evangeline Lilly, is cool. Orlando Bloom (Legolas) remains fun to watch. Everything else, including the score, is very nicely done - as anticipated.

Love the end credits song ("I See Fire") by Ed Sheeran, by the way. Not quite as grand and great as "May It Be" from LOTR, but it's pretty close!

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Tuesday, July 13, 2021

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Title : Justice League: The Flashpoint Paradox
Justice League: The Flashpoint Paradox genre : Fantasy, Science Fiction, Animation, Action, Adventure, Mystery
Justice League: The Flashpoint Paradox crew : Alan Burnett, Bruce Timm, Jay Oliva, Bobbie Page, Sam Register, James Krieg, Jim Lee, Geoff Johns, Geoff Johns, Christopher D. Lozinski
Justice League: The Flashpoint Paradox release date : 20 December 19 2 9
Justice League: The Flashpoint Paradox runtime : 75 Minutes
Justice League: The Flashpoint Paradox Crew : Alan Burnett, Bruce Timm, Jay Oliva, Bobbie Page, Sam Register, James Krieg, Jim Lee, Geoff Johns, Geoff Johns, Christopher D. Lozinski
Justice League: The Flashpoint Paradox movie cast :
Justin Chambers, Kevin Conroy, Kevin McKidd, Michael Beach, Jennifer Hale, Michael B. Jordan, C. Thomas Howell, Vanessa Marshall, Cary Elwes, Sam Daly
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Friday, March 12, 2021

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Title : Pacific Rim
Pacific Rim genre : Action, Science Fiction, Adventure
Pacific Rim crew : Guillermo Navarro, Scott Martin Gershin, Scott Martin Gershin, Andrew Neskoromny, Margery Simkin, Richard L. Johnson, Carol Spier, Catherine Harper, Christopher Moriana, Laird McMurray
Pacific Rim release date : 1 September 19 7 8
Pacific Rim runtime : 131 Minutes
Pacific Rim Crew : Guillermo Navarro, Scott Martin Gershin, Scott Martin Gershin, Andrew Neskoromny, Margery Simkin, Richard L. Johnson, Carol Spier, Catherine Harper, Christopher Moriana, Laird McMurray
Pacific Rim movie cast :
Charlie Hunnam, Rinko Kikuchi, Idris Elba, Max Martini, Clifton Collins Jr., Ron Perlman, Charlie Day, Burn Gorman, Robert Kazinsky, Robert Maillet
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A ragtag band of humans band together in the year 2025 to fight legions of monstrous creatures rising from the sea. Using massive piloted robots to combat the alien threat, earth's survivors take the fight to the invading alien force lurking in the depths of the Pacific Ocean. Nearly defenseless in the face of the relentless enemy, the forces of mankind have no choice but to turn to two unlikely heroes -- a washed up former pilot and an untested trainee -- who now stand as earth's final hope against the mounting apocalypse. Pacific Rim 2013 review : First I want to say I liked this movie. I was surprised, I've been hearing bad reviews but I can't see big problem. The only issues was with the story. Apart from that the graphics where very good. The actors where okay (no major actors) and the baddies (no spoilers) where well thought out and graphically impressive (same for the robots).

All in all a good movie.
When monstrous, building-sized creatures (dubbed "kaiju") hell-bent on destruction begin pouring out of an extra-dimensional fissure at the bottom of the Pacific Ocean, humanity bands together to build titanic mechas called jaegers, each controlled simultaneously by two pilots whose minds are linked through a neural bond called "The Drift." As the kaiju get stronger and the signs point to an all-out flood of the beasts, the fate of humanity looks bleak, and the surviving jaegers are brought together for one last-ditch attempt at saving the world.

After an agonizingly long five-year wait, filled with some heartbreaking starts and stops (like the almost-weres of The Hobbit and At the Mountains of Madness), Guillermo del Toro has finally returned with his biggest budget and story yet. The Mexican master of fantasy returns to the toybox of his youth, drawing from the kaiju films of old (Godzilla, Gamera, Mothra, and the like) and anime to create the modern-day monster movie we didn't even know we wanted.

I am a genre man through and through, and del Toro's films are filled with both the intelligence of the best of science fiction, fantasy, and horror and a flawlessly-rendered vision unique to him. His innate knowledge of what makes those outlandish stories truly matter to us is the backbone of his work as a writer and director, and his visual style is one that invokes true wonder.

It's that wonder, that childlike glee that makes Pacific Rim work so well, and well it does work. This is a brawny, massive film made by a true artist and auteur at the top of his game, but while the technicals of this film could have been mounted by any number of working directors, the magic of Guillermo del Toro is that he infuses every film with himself. His love of the material, whatever it may be, shines brightly through every frame. It is this complete sincerity that makes his films such a joy to experience, and even when there are 250-foot behemoths slugging it out on the screen, there's not a trace of the disastrous irony or cynicism so readily supplied by other blockbusters anywhere to be found.

The cast gamely comes to play, with Idris Elba (TV’s Luther) as Stacker Pentecost (one of my favorite character names of all time) as the stoic leader of the jaeger program, Charlie Hunnam (TV’s Sons of Anarchy) as former pilot Raleigh Becket, who suffered a tragic loss and has to be convinced to return to jaeger service, and Oscar-nominated Rinko Kinkuchi (Babel) as Mako Mori, another life touched by the kaiju and ready to serve up some righteous fury. If these sound like tried-and-true archetypes, it’s because they are. This is a grand, epic war film on a bigger scale than anything ever attempted before in that genre, and one of the strokes of genius from del Toro and original writer Travis Beacham is that we instantly establish and identify with the characters onscreen. There are so many ideas flying around (monsters, mechas, neural bonding, kaiju culture, and many, many more) that the broadly-drawn characters serve as a perfect anchor for the audience, immediately relatable in their inherent humanity.

It seems that the mission statment of this movie was, in a word, “texture.” Del Toro delivered a visual feast unlike any other big spectacle films, with his insistence on it not looking like a “glossy car commercial.” Instead, every frame is filled with rain, snow, scuffs, smoke, debris, and other visual elements that reflect the weight and dimension of these cyclopean combatants. Unlike the ultra-glossy (and emotionally irrelevant) Transformers films, or virtually any other modern big-budget actioner, this universe feels dirty, grungy, and lived-in, like the original Star Wars trilogy.

In fact, dubbing a film “this generation’s Star Wars” has been overused to the point of robbing the phrase of all meaning. But Pacific Rim feels just like that. It invokes those most elusive of emotions in the modern studio film: wonder, awe, and sheer enjoyment. Do you remember the awe you felt upon seeing a Star Destroyer creep onto the screen? Discovering a brachiosaurus on Isla Nublar? Laying eyes on the verdant fields of Middle Earth? This film has that. No one builds worlds like del Toro, and here he is, the master, inviting you to play in his sandbox with him. Grab your favorite action figure and hop in.
My favorite movie for years!!!I absolutely love this movie!No big story.A lot of action.The only bad thing is all the fights are at night & in the rain.A bright daylight fight would have really made it great!!!
This movie has almost everything that is expected from it so just relax lay back with the pop corn and your soft drink and enjoy.

Just to make noticeable the remarkable few amount of females featuring in the movie and how bad is that Travis Beacham and Guillermo del Toro just copy Evangelion's idea without giving anything back.
I have to say that I enjoyed this pure special effects movie quite a lot even though the plot is totally ridiculous. Clumsy giant robots beating at alien beasts with their fists should be better than modern tanks and airplanes with modern explosive and armor penetrating weapons? As I said, a ridiculous story. Well it does not really matter does it because the story gives an excuse for some real cool special effects loaded action. Giant robots and alien Godzillas in the same movie. Cool, simply cool.

Once you have gotten past the silliness of the story it is a very entertaining rollercoaster ride of action. The scenes where the robots and aliens go head to head is visually very enjoyable. Sometimes they make you laugh as well. For instance the scene where Gipsy Danger (one of the robots) drags a cargo ship after it to use as a club.

Unfortunately a somewhat somber mood is set right from the start by the fact that the Jaeger program is discontinued. Not because they are really defenseless as the movie blurb states but because dumbass politicians wants to save money as usual. Instead they build giant walls that are subsequently breached in hours. As I said, dumbass politicians. I guess they wanted to put some realism into the movie!

As much as the robot and alien action is tremendously enjoyable I think some of my favorite scenes are the ones with Ron Perlman as Hannibal Chau. I have always liked Ron Perlman and he is simply outrageously (as in funny) wacky as Hannibal Chau.

The one thing I did not like with the movie is the ludicrous nonsense statements about the dinosaurs being the first attempt at an invasion. Whoever wrote that must be an idiot. Worse, the fact that it made it into the movie means that someone believes that the audience are idiots. When it then was followed by some green-religious crap that the atmosphere was not right for them then but that we have now “terraformed” earth for them by our pollution it was at least a star off just for that. I hate it when they put crap like that in the movies. It is an insult to the audience.

Anyway, despite the dinosaur nonsense I found it a very enjoyable movie. Without that it would have received a near top rating but as I said, it is at least a star off due to that crap.
Watching a CGI heavy movie 5 years following its release doesn't sound like such a hot idea, but in the case of Pacific Rim nothing really drew me out of the experience in terms of aging animation.

However, the film itself was an 'okay' at best. Aside from the spectacle CGI fights of giants robots versus giant alien monsters it doesn't offer anything of value. This is one of those movies you can safely keep on your second monitor and zone out in between the set piece fight scenes.

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Thursday, February 4, 2021

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Title : The Wolf of Wall Street
The Wolf of Wall Street genre : Crime, Drama, Comedy
The Wolf of Wall Street crew : Rodrigo Prieto, Martin Scorsese, Martin Scorsese, Eugene Gearty, Ted Griffin, Ellen Lewis, Georgia Kacandes, Thelma Schoonmaker, Martin Klebba, Richard Stutsman
The Wolf of Wall Street release date : 18 March 19 3 7
The Wolf of Wall Street runtime : 180 Minutes
The Wolf of Wall Street Crew : Rodrigo Prieto, Martin Scorsese, Martin Scorsese, Eugene Gearty, Ted Griffin, Ellen Lewis, Georgia Kacandes, Thelma Schoonmaker, Martin Klebba, Richard Stutsman
The Wolf of Wall Street cast :
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A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort's autobiography. The Wolf of Wall Street 2013 review : The Wolf of Wall Street is so addicting to watch, that even with it's 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it's glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he's aces when it comes to comic timing and physical comedy. If he doesn't win an Oscar this season I'll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He's ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative.
Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.
An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.
**Voracious Bull**

Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie?

When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_.

After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made?

_The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.
I didn't care for the characters, but I damn did have a great time watching 'The Wolf of Wall Street'. It's absolutely nuts, and I mean that in a positive way.

Leonardo DiCaprio simply never puts an acting foot wrong, this is the sixth film I've seen of his and I love (fwiw: all 9/10+) them all. Phenomenal actor! He is outstanding here as Jordan Belfort, the guy this film is based upon. As noted, I didn't really ever care for Jordan but DiCaprio makes it impossible not to enjoy watching events throughout.

Jonah Hill (Donnie) comes in with a very good performance, the type of which I hadn't previously seen from him; closest being, in terms of quality, 'Moneyball'. Margot Robbie, meanwhile, isn't easy to forget as Naomi. Though none of the following standout big, it's pleasant to see Jon Bernthal, Matthew McConaughey and Jon Favreau, among others, appear.

The almost three hour run time, aside from a couple of moments, goes by fairly quickly. A big reason for that is the sheer bonkers nature of the plot, which goes in so many different directions it's impressive. It doesn't, as I've already mentioned, breed likeability for the characters but I definitely had a fun time watching it all unfold. I guess it depends on what you, as a viewer, prefer. I got the desired amount of entertainment.

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Sunday, December 6, 2020

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Frozen crew : John Lasseter, John Kahrs, Jim Passon, Christophe Beck, Odin Benitez, Odin Benitez, Chris Buck, Chris Buck, Peter Del Vecho, David Womersley
Frozen release date : 26 March 19 5 5
Frozen runtime : 102 Minutes
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Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom. She's accompanied by ice delivery man Kristoff, his reindeer Sven, and snowman Olaf. On an adventure where she will find out what friendship, courage, family, and true love really means. Frozen 2013 review : "Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.

The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.

It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.

Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.

But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.

When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.

Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.

The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.

Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)

Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)

While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.

Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...

... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.

Not a bad movie, but not the best and I think far from the fun I had with Tangled.
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Six years later, and Frozen has left an undeniable cultural impact. From Let It Go to tons of merchandising, Chris Buck and Jennifer Lee delivered such a memorable film that people not only didn’t forget but regularly asked for its sequel. As of right now, Frozen II has claimed the third-best animated opening weekend ever, proving that the love for this franchise (I think it’s safe to call it that already) is strong. However, how great is the original movie, after all? To be honest, I never fully watched it until this past week in preparation for its sequel. It surprised me in the sense that I didn’t expect to enjoy it as much as I did. Frozen is deserving of the love it possesses.

With extremely captivating characters, the story flows naturally, and the entertainment levels are always high. Whether these are due to the amazing singing sequences or to the exciting adventures, this film never stops having fun. That’s what Frozen ultimately is: a lighthearted, fun, and entertaining movie. It follows Disney’s formula for creating a variation of a story we have seen before. Characters go through a traumatic event when they’re young. They have to grow up while struggling with the aftermath of said trauma. Eventually, they overcome that obstacle and live happily ever after (or at least until the next installment).

It’s the generic and somewhat cliche Disney model for a new animated film (franchise). Nevertheless, don’t get me wrong: it works perfectly. Sure, it doesn’t bring anything new story-wise, but it’s still a great time. Despite some unnecessary and lazy exposition (the magical trolls are basically exposition devices), Frozen still delivers a truly captivating and visually jaw-dropping narrative. I do need to emphasize this: the animation is phenomenal. Elsa’s magic is seamless and beautiful. Arendelle is a gorgeous location, and the snowy mountains are impressively designed. Let It Go will always be remembered for its lyrics and melody, but the actual animated sequence is astonishing.

Every character carries a lot of expressiveness, which allows them to do basically everything. Frozen might not be a groundbreaking movie, but its compelling characters make the generic plot work. From Elsa and Anna’s complicated but heartwarming relationship to Kristoff and Sven’s camaraderie, I care about all of them… especially Olaf. I know, Olaf is simply the snowman version of a comic-relief character. He doesn’t really have a complex arc in need of extreme development. However, it’s impossible not to love him. He’s such a welcome presence in every single scene. Every single line of his is either a funny remark or a pretty valuable insight into something.

Counting him out, every other character has a very well explored arc, mainly Elsa and Anna. Their (older) relationship originates from a plot point that might be a tad exaggerated, but it’s convincing enough. Finally, the score is as important as it is fantastic. It’s an animated musical, let us not forget about that. Obviously, Let It Go is the queen of all songs due to its catchy lyrics, memorable chorus, and significance to the character. But other ones such as Do You Wanna Build a Snowman and For the First Time in Forever also carry a sweet melody plus some exquisite character and story development. That’s what I love the most about musicals and why Disney always triumphs regarding this aspect: the way a simple song can tell so much about someone or move the plot forward. In my opinion, it’s the genre’s variation of “show, don’t tell.”

In the end, Frozen might not be a groundbreaking animated film story-wise, but it delivers around 100 minutes of pure fun and entertainment. With an exceptional voice cast (Idina Menzel, Kristen Bell, and Josh Gad are wonderful), Chris Buck and Jennifer Lee are able to take Disney’s formula and create a worthy variation of the classic blueprint. From the emotionally compelling and well-developed characters to the eyegasmic animation quality, Frozen is a good time from start to finish. Boasting some memorable and catchy songs, it became one of the decade’s culturally most impactful animated movies. I wish exposition wasn’t overused, and that more risks were taken concerning the screenplay, but as a Disney animated flick, it meets the company’s standards.

Rating: B
Great animation and good voice talent, however pretty weak story but ultimately entertaining enough movie. Also found the music, outside of the song "Let It Go" (which was played to death for the past several years now) were rather forgettable and bland. **3.0/5**
One of Disney's best, in my opinion. Not quite top tier, but very close.

'Frozen' really did blow up when it was released, and rightly so. Sure it probably got overhyped but that isn't the film's fault. It's a cracking watch, the pacing is absolutely spot on as are the musical numbers.

What impresses me the most about the music is that it manages to keep the storytelling alive whilst it occurs. Particularly at the beginning there are loads of songs squeezed in next to each other, which could mess with the premise building but it doesn't - it actually enhances it. The songs themselves are terrific, with "Let It Go" obviously getting the most plaudits.

Idina Menzel (Elsa) and Kristen Bell (Anna) are excellent in the lead roles, while Josh Gad almost steals the show as Olaf - very funny character! Of course it's aimed at the younger audience members, but it is still entertaining for us adult folk too - I've watched it a few times down the years and still thoroughly enjoy it.

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